My curated event, trying to bring together Art, Disability, and Free-Thinking. I said Things We Are Not Allowed To Say. Speakers: Aaron Williamson, Aidan Moesby, Trish Wheatley, Sonia Bouie, Tom Shakespeare, Chair: Manick Govinda. (image […]
My curated event, trying to bring together Art, Disability, and Free-Thinking. I said Things We Are Not Allowed To Say. Speakers: Aaron Williamson, Aidan Moesby, Trish Wheatley, Sonia Bouie, Tom Shakespeare, Chair: Manick Govinda. (image […]
My kinetic piece Where Do you Live? is currently showing at MK Calling 2020 (to re-open after lockdown!) Many thanks to amazing collaborators Clive Doherty and Stuart Moore for amazing engineering and coding skills!
The show I curated at MAC Birmingham, the culmination of my Curatorial Residency, sponsored by DASH, 6th Jan – 22nd Mar 2020 (image: Great Britain from a Wheelchair, by Tony Heaton)
Episode 72 of the Disability Visibility Project – it’s me! Also: spoke with Mike Layward at Midlands Arts Papers Launch and for the Research/Curate podcast.
I was selected to do an ident for ITV, as part of their ITV creates project. The ident was shown for the week of 11th November, 2019, live between programmes on ITV. There are five […]
I was very pleased to be selected as the first DASH curatorial resident at MAC Birmingham. You can hear a bit about how it’s going so far in this interview. I will be curating a […]
Great news! With the support of an Unlimited Commission, Breathing Room is being developed for touring to summer festivals, urban light festivals, and gallery spaces in 2020, and will premier at co-commissioning festival IF 2020. I […]
Was very honoured to be asked to participate in a panel talk at Sheffield Doc|Fest this year with artist Nwando Ebizie, senior producer Jo Verrent, and Neuroscientist Peter Kok. Here’s a transcript of my short […]
My portrait of Lissy has been shortlisted in this year’s Portrait of Humanity awards.
So – I made a piece about Brexit. I was pleased to be invited to participate in Thomas Gray’s Borderzones exhibition. I felt like it was worth braving the controversy to make the piece, which you […]