I was honoured to be asked by the wonderful Aidan Moseby to speak on a panel at an event at MAC Birmingham about representation of disabled artists.
I wrote a follow-up article summarising the sorts of things I said.
I was honoured to be asked by the wonderful Aidan Moseby to speak on a panel at an event at MAC Birmingham about representation of disabled artists.
I wrote a follow-up article summarising the sorts of things I said.
I’m delighted to impart that I’ve been shortlisted for the Jon Schueler Scholarship, which allows an artist to develop a project for three months on Skye, with a sizable stipend. I have an interview at the Royal Scottish Academy in Edinburgh, so cross your fingers for me! I’m not getting too excited as I’m becoming…
This is my project from my residency in Fljotstunga, Iceland. It comprises paper boats, floating in rural Iceland, including in an ice and lava cave. It’s about lots of things – human fragility in the harsh landscape, the sheer aburdity of placing paper in this extreme environment, journeys – literal and emotional, displacement, etc. It…
It was really rewarding to finally see Paradise Lost, my project about town planning and homelessness, come to fruition. It was created to make 50 years of Milton Keynes, and took about 18 months to come together – it was a real labour of love. It’s been showing as part of MK Fringe 2018, on…
Was very honoured to be asked to participate in a panel talk at Sheffield Doc|Fest this year with artist Nwando Ebizie, senior producer Jo Verrent, and Neuroscientist Peter Kok. Here’s a transcript of my short talk before the panel discussion ensued, about outsiderness and social change in the context of my work.
Work featured in recent show: Pronoia – March 2015, London. The Management, a stand-alone piece, and a selection from my ‘Masks‘ series. You can hear my talk on this work as part of the panel discussion here: